LLR
"The fields appeared to him as something seen in the fever of a dangerous illness, and the woods, by contrast, in the lucidity of health regained. God, so it seemed to him, dwelled in the woods, while the fields echoed with the sardonic laughter of the devil."
- Pasternak
jd+jl,
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snarkydiscolizard:

"i’m sad and idk how to feel better"

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"i don’t know what to draw"

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"i always mess up"

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"BUT I SUCK"

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(via freusan)

andreii-tarkovsky:

the more movies i watch the only thing i understand is why i am single 

(via robertkazinsky)

avikchatterjee818:

What might have been lost…

(via appalachian-appreciation)

antitacta:

Leonidas Kryvošej, Osobnost nepřátel.

antitacta:

Leonidas Kryvošej, Osobnost nepřátel.

(via voglaz)

HMM

HMM

Shinrin nyūyoku-sha by Lucifer’s Lunar Resort

(via reddeath614)

stay-human:

When white teachers call colonizers “explorers” to make them seem like brave people with an adventurous curiosity instead of genocidal, european supremacist bastards who wanted to exchange blood for money.

*American teachers

(via ikaristwin)


I always thought you were the most beautiful girl I have ever seen. (Requiem for a Dream)

I always thought you were the most beautiful girl I have ever seen. (Requiem for a Dream)

(via jjjddd)

(via sixpenceee)

The Towers of Silence are circular-shaped buildings that have funeral customs and symbols for adherents of Zoroastrianism. They find the body of a corpse impure, and not to violate the sacredness of the land, refuse to bury or cremate a body. Instead, lay the corpse on top of a building in the mountains, where vultures come and eat your meat, just after the bones are in contact with lime, so they can disintegrate and thereafter be thrown into the water where the cursor continue on to the sea, not touching the ground as well.

(via goddessoftheblackcoast)

howtocatchamonster:

Funny Games is a cinematic version of the philosophical riddle of a tree falling in a forest, leading not only to a heightened sense of being an accomplice on the part of the audience but also to asking questions regarding the audience’s responsibility, the obligation to think about what it means to look at violent imagery and the pain of others and the capacity to understand the absurdity, randomness, and brutality that the violent images actually show. Funny Games is meant to lead to reflection, to catch the audience looking in order to make them conscious of their own look. By establishing an interconnection between the diegesis and the non-diegesis, the film creates an “ethical space” where the audience is held as an accomplice to a representation of violence that they do not even want to see. The audience position in Funny Games, then, is of necessity ethically charged, since this consciousness cannot arise without simultaneously revealing moral values with regard to (media) violence.

Tarja Laine, “Haneke’s ‘Funny Games’ with the Audience.”

(via ikaristwin)

(via goddessoftheblackcoast)

(via vortexascent)